Live at Soledad Prison 1982 Impulse each is introduced by a

each is introduced by a scene-setting interlude

structure and freedom

Repertoire includes classic Miroslav pieces (“When Face Gets Pale”)

his idea was enthusiastically accepted and the group performed in front of a full house at Soledad Prison

“Caravan” was Art Blakey and the Jazz Messengers' first album for Riverside Records

Live at Soledad Prison 1982 Impulse each is introduced by aJamaican reggae supergroup Black Uhuru, captured at the height of their powers. 1982 was a fertile but latent moment for reggae; allegedly, only three radio stations dedicated to the genre existed in the US: Doug Wendt in San Francisco, Roger Steffens in LA, and Lance Linares in Santa Cruz. Perhaps it was this relative lack of attention that spurred the lattermost radio host to facilitate a Black Uhuru live show at Soledad Prison, SC, owing to his